Echo's film critic Neil Cohen lists the best and worst movies of 2011. PLUS: The Phoenix Film Critics Society makes its awards.
By Neil Cohen
In his annual review of the year in film, Neil Cohen says 2011 was an embarrassment of not-so-riches
Every year, movie critics start looking for award-worthy films as early as March, but 2011 kept chugging along with no clear candidates. As the year closed, still no runaway winners emerged, even though a lot of strong films were released.
The situation leaves the Academy Award competition for Best Picture wide open, and the acting awards are sure to be the most competitive in years.
Even though 2011 lacked amazing films, The Neelys (named for Neely O'Hara, the starlet in Valley of the Dolls) still managed to recognize 10 great films and 10 specimens best left at the vet's office to be tested for worms.

Midnight In Paris
Director Woody Allen hasn't been this effortlessly hilarious in years. Owen Wilson plays a blocked writer who travels to Paris with his shrewish fiancée (Rachel McAdams) and magically finds himself transported back in time to meet literary giants like Ernest Hemingway (Corey Stoll) and Gertrude Stein (Kathy Bates), and maybe true love. It's a brilliant and intelligently comic romance.
The Artist
The most gorgeous film of the year is also the most unusual. The Artist is an authentic silent film starring a pair of French actors who capture the magic of old-time Hollywood better than most American performers. George Dujardin plays a dashing silent film star who laughs at the idea of talking pictures, only to watch a young fan, Peppy Miller (Berenice Bejo), become a huge star in the new medium. Director Michel Hazanavicius' obvious love for classic movies shows in every frame of this amazing film.
Crazy Stupid Love
The overlooked comedy highpoint of the year came from the crazy, but far from stupid guys, who made I Love You Phillip Morris. Steve Carrell plays a sad-sack dad who gets dumped by his unfulfilled wife (Julianne Moore), but gets his groove back when coached by a superhot player played by Ryan Gosling with seemingly Photoshopped abs. Twists and hilarity abound as good girl Emma Stone decides to see if Gosling is worth the hype. Believe me, he is!
Win Win
Thomas McCarthy hit another home run with this funny and humane comedy-drama about a downtrodden New Jersey lawyer who discovers a star athlete under his nose and gets everything he wants, as long as no one finds out his secret. Paul Giamatti gives a great, understated performance along with the sexy Bobby Canavale as his brash best friend.
Sarah's Key
Criminally overlooked, Gilles Paquet-Brenner's moving adaptation of the bestselling novel was one of the best dramas of the year. Kristin Scott Thomas plays an American journalist whose investigation of the brutal 1942 Vel d'Hiv Roundup of French Jews by the French Vichy Government uncovers a tragic tale that hits very close to home.
The Help
This all-star women's film was a tribute to the strong African-American women who kept Southern households running in the '60s. Viola Davis, Octavia Spencer and Cicely Tyson gave unrestrained and powerful performances as the maids, while Emma Stone, Sissy Spacek, Allison Janney and especially Bryce Dallas Howard and Jessica Chastain bring the white women they serve to life.
Weekend
Love stories are a dime a dozen, even gay ones, but Weekend upended the genre. Writer/director Andrew Haigh and his stars Tom Cullen and Chris New did this by keeping the budding relationship of two British men so real that you feel like you're a voyeur. Unlike those usually shown in the movie, the men are distinctive characters, uncomfortable with labels and stereotypes. It's one of the most romantic films of the year.
Final Destination 5
Every diet needs a little cheese, and Final Destination 5 was Grade A 3D Fromage that reinvigorated the campy series. A group of generically beautiful actors survive a suspension bridge disaster only to be stalked by death in creative ways. Death by acupuncture? Check. Death by laser eye surgery? Ick! From its insane 3D-on-steroids opening to its jaw-droppingly brilliant twist ending, Final Destination 5 wins the Neely for Best Thrill Ride of the year.
Hugo
Martin Scorcese isn't known for children's films, but Hugo is going to change that. Like The Artist, Hugo is a gorgeously filmed love letter to the history and magic of filmmaking. Hugo, portrayed by Asa Butterfield, is a boy who lives in a Paris train station, caring for the clocks, while also trying to solve a mystery his dead father left him. Hugo should be seen in 3D, and it is the best use of the medium I've seen.
Source Code
Duncan Jones follows up his acclaimed sci-fi drama Moon with this time-tripping suspense film. Jake Gyllenhaal was the perfect action hero who has to unmask a terrorist bomber in a fateful eight-minute period through a scientific breakthrough. What sets Source Code apart is the intricate human drama that anchors the action. Tough questions about military service and our treatment of veterans, the nature of fate and free will, and the threat of homegrown extremists elevates the film beyond typical sci-fi fare.
Big Hollywood names were part of some of the biggest disappointments on film of 2011
2011 was unusual in the number of high-minded duds it produced. Rather than just pick on dreck like the one where Adam Sandler plays his own screechy matron of a sister, the Worst Neelys go to the biggest disappointments of the year. Some people might even have a few of these titles on their best 10 lists. Those people are wrong.
The Change You Can't Believe In Award: The Change-Up
Like last year's Dinner For Schmucks, The Change-Up takes a curdled premise and stews it in the worst R-rated "funny" bodily fluid gross-outs. Stars Ryan Reynolds and Jason Bateman better have awesomely follow-up films to get the rancid taste of this turkey out of audiences' mouths. No wonder Scarlett Johansson dumped Reynolds — a character like his would turn off a nymphomaniac.
The Jack Kevorkian Award: Melancholia
Those people looking for an alternative to the late doctor's assisted suicide machine now have their option. Insufferable Danish "enfant terrible" Lars von Trier praised Hitler at Cannes, but this piece of pretentious "serious drama" is even more offensive. Kirsten Dunst plays a hyper-depressed bride who finds peace only when a rogue planet shows up to destroy Earth. Then, she just becomes bitchy. Armageddon can't happen soon enough to spare you.
The Is That All There Is? Award: Cowboys and Aliens
If you have the mash-up of cowboys and aliens and you have Daniel Craig and Harrison Ford, you'd think the script would write itself into something pretty entertaining. Sadly, it doesn't even feel like the script was written, only cobbled together from every other alien invasion film of the last five years.
The Cheap Sentiment Award: Extremely Loud and Incredibly Close
I was shocked that this piece of abrasively phony 9/11 exploitation was directed by Stephen Daldry of The Hours and Billy Elliot fame. Actor Thomas Horn seems like a smart and engaging kid, but within five minutes of this drama about a boy who may have Asperger's Syndrome seeking meaning for his dad Tom Hanks' death in the Twin Towers, you may want escape listening to him. Sandra Bullock has the thankless role of shut-out mom, and only Max von Sydow as a mute World War II survivor shines. The premise of a boy searching to make sense of his father's death was already done right in Hugo.
The Dim Bulb Award: Green Lantern
It takes a pretty bad movie to make Ryan Reynolds in a body suit boring, but this by-the-numbers superhero dud managed to succeed.
The Grimm's Fairy Trash Award: Red Riding Hood
Fairytale characters are everywhere, from TV's Grimm and Once Upon A Time to the upcoming competing Snow White films, but Red Riding Hood was the howler of the bunch. Amanda Seyfried leads a cast of Twilight wannabes through a pointless retread of The Village. Poor Julie Christie as the grandmother probably wishes the Big Bad Wolf had eaten her to save her embarrassment.
The Animal Cruelty Award: The Future
Miranda July's latest exposé of the insignificant troubles of vapid hipsters upped the nausea level by couching it in the story of a sickly pound cat, who proceeds to narrate this nightmare in July's scratchy baby-talk voice.
The Bad Romance Award: Like Crazy
Mimicking last year's sullen Blue Valentine, this much-improvised drama expected us to go Like Crazy over two deadly-dull leads, Anton Yelchin and Felicity Jones, and their uninteresting romantic trials as they dealt with love and immigration woes. Sundance voters must have been drunk when they gave the film the Grand Jury Prize for drama.
The Mr. Ed is Weeping Award: War Horse
Given the powerful theatrics of the stage version, one would have expected the film adaptation of the youth lit bestseller War Horse to be spectacular. It is ... spectacularly dull, filled with forgettable characters and manufactured sentiment director Stephen Spielberg can do in his sleep. War Horse should be put out to pasture.
The Neely for Worst Film: Don't Be Afraid of the Dark
Guy Pearce is the worst father on earth, Katie Holmes the most oblivious caretaker and young Bailee Madison the stupidest child in the world. Why would someone stay in a house after unleashing killer tooth fairy goblins? This pointless remake of a 1973 TV movie had every element in place and squashed them like the trolls in the movie.
The Chloe Sevigny Award for Acting Beneath the Call of Duty: Ashton Kutcher and Sarah Palin
Kutcher deserves the award for playing the same character in every film, as well as a Nikon ad, and New Year's Eve didn't change the tradition. Palin has been doing a terrible impression of a compassionate politician for years. This year, though, she attacked a teeny number of multiplexes as the dull-witted star of the documentary The Undefeated. As John Gielgud proclaimed in Arthur, "Usually one must go to a bowling alley to meet a woman of your stature." —E

The Artist won the Phoenix Film Critics Society award for Best Picture of 2011. The black and white silent movie won nine awards from the group.
Other movies on the group's top 10 list of films include The Descendants, Drive, The Help, Hugo, Midnight in Paris, Moneyball, My Week With Marilyn, Super 8 and The Tree of Life.
The Artist won awards for Michael Hazanavicius for Best Director and Breakthrough Performance Behind the Camera, Jean Dujardin for Best Actor and Berenice Bejo for Best Supporing Actress. It also collected awards for original screenplay, original score, editing and costume.
Elizabeth Olsen was named Best Actress for her role in Martha Marcy May Marlene. Albert Brooks was named Best Supporting Actor for his role in Drive. The cast of Super 8 won the Best Ensemble Acting honors.
For more information about the Phoenix Film Critics Society, visit phoenixfilmcriticssociety.org. -E